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Successions: Traversing US Colonialism Amber Robles-Gordon
Curated by Larry Ossei-Mensah
August 28December 12, 2021
, featuring essays by Noel W Anderson and curator Larry Ossei-Mensah. Available for purchase by emailing museum@american.edu. $15 each plus taxes and shipping, if applicable.
El altar eterno de las mujeres abandonadas y las almas renunciadas. Sin embargo, la elecci籀n siempre debe ser de ella. The eternal altar for the women forsaken and souls relinquished. Yet the choice must always remain hers.泭2020. Mixed media collage on canvas, 18 x 24 in. Courtesy of the artist.
Amber Robles-Gordon presenta Sucesiones: Atravesando el Colonialismo en los Estados Unidos, una exposici籀n individual en el Centro de Artes Katzen de 51勛圖 en el oto簽o de 2021. Sucesiones es una yuxtaposici籀n conceptual que celebra la abstracci籀n como una forma art穩stica, a la misma vez que la utiliza como un medio para cuestionar las pol穩ticas de Estados Unidos, pasadas y actuales, dirigidas al distrito federal (Washington, DC) y los territorios (incluyendo Guam, Puerto Rico, y las Islas V穩rgenes de USA) que controla. Mostrando los matices relacionados a la gobernanza de Estados Unidos en los distritos federales y territorios, Robles-Gordon busca preguntar quien tiene acceso a los recursos, la ciudadan穩a y el derecho a la soberan穩a.
Robles-Gordon crea obras de arte llenas de un lenguaje visual con varias capas, repletas de significados culturales y gestos abstractos. Sucesiones es una celebraci籀n de la abstracci籀n como una expresi籀n art穩stica. Robles-Gordon utiliza artistas ic籀nicos como Robert Rauschenberg, Alma Thomas, Romare Bearden, y miembros de la Escuela de Color de Washington (Washington Color School) como puntos v穩vidos de referencia para su propio uso din獺mico del color, forma y material en los trabajos que ha creado para esta exposici籀n. Estas exploraciones proporcionar獺n perspectivas a un n繳mero de preguntas que subyacen a la construcci籀n de esta exposici籀n. Sucesiones crea un camino hacia una cr穩tica discursiva alrededor de temas que impactan a las comunidades marginalizadas, oprimidas por las pol穩ticas hegem籀nicas, dom矇sticas e internacionales, de los Estados Unidos. La exposici籀n muestra un nuevo grupo de pinturas abstractas de gran colorido, collages y textiles (quilts) creadas en 2020 y 2021 entre San Juan, Puerto Rico (lugar de nacimiento de Robles-Gordon) y Washington, DC (donde vive actualmente).
Durante el apogeo de la pandemia causada por COVID-19, las estrategias creativas de Robles-Gordon fueron directamente impactadas como resultado de haber permanecido en San Juan. 泭La falta de acceso a materiales y las dif穩ciles circunstancias que debi籀 confrontar en Puerto Rico y a su regreso a Washington, DC, sirvieron de catal穩tico a Robles-Gordon para improvisar el enfoque usado para crear obras para esta exposici籀n. Mas a繳n, la experiencia elev籀 su entendimiento de como comunidades al margen son tratadas de manera adversa durante momentos de crisis.
Robles-Gordon tambi矇n usa las obras mostradas en Sucesiones para explorar las historias, narrativas personales y est矇ticas de mujeres del Caribe, particularmente de descendencia africana, en un esfuerzo por investigar las implicaciones pol穩ticas, socio-econ籀micas y ambientales de construir espacios, pol穩tica colonial contempor獺nea y nociones de ciudadan穩a en estos grupos sociales. El debate sobre la transformaci籀n del Distrito de Columbia en Estado, similar a Puerto Rico, ha sido un punto prevalente de contenci籀n en el Distrito, pero raramente forma parte de la conversaci籀n nacional. Robles-Gordon busca usar su propio patio (backyard) como una met獺fora para expandir nuestro conocimiento de las nociones de libertad y justicia.
Un cat獺logo completamente ilustrado con ensayos de Ossei-Mensah y Noel Anderson y programas presenciales y virtuales acompa簽ar獺n la exposici籀n, enriqueciendo la experiencia del espectador.
Amber Robles-Gordon presents Successions: Traversing US Colonialism, a solo exhibition on view at the 51勛圖 Museum at the Katzen Arts Center in fall 2021. Successions is a conceptual juxtaposition that celebrates abstraction as an art form while leveraging it as a tool to interrogate past and current US policies within its federal district (Washington, DC) and territories (including Guam, Puerto Rico, and the US Virgin Islands) that it controls. By highlighting nuances related to US governance in its federal districts and territories, Robles-Gordon seeks to question who has access to resources, citizenship, and the right to sovereignty.
Robles-Gordon creates artwork imbued with a layered visual language replete with cultural signifiers and abstract gestures. Successions is a celebration of abstraction as an artistic expression. Robles-Gordon utilizes iconic artists like Robert Rauschenberg, Alma Thomas, Romare Bearden, and members of the Washington Color School as vivid reference points for her own dynamic use of color, form, and material within the works she created for the exhibition. These explorations will provide insights into a number of inquiries that undergird the construction of the exhibition. Successions creates a pathway towards discursive criticism around issues impacting marginalized communities oppressed by the United States hegemonic domestic and foreign policies. The exhibition features a new body of colorful abstract paintings, collages, and quilts created in 2020 and 2021 between San Juan, Puerto Rico (Robles-Gordons birthplace) and Washington, DC (where she currently lives).
During the height of the COVID-19 pandemic, Robles-Gordons creative strategies were directly impacted as a result of sheltering in place in San Juan. The lack of access to materials and arduous circumstances she was confronted with in Puerto Rico and upon returning to Washington, DC catalyzed Robles-Gordon to improvise her approach to making works for the exhibition. Moreover, the experience heightened her awareness of how communities on the margin are adversely treated during moments of crisis.
Robles-Gordons also uses works featured in Successions to mine the stories, personal narratives, and aesthetics of the women of the Caribbean, particularly of African descent in an effort to investigate the political, socio-economic, and environmental implications of placemaking, contemporary colonial policy, and notions of citizenship on these social groups. The debate over DC statehood, similar to Puerto Rico, has been a prevalent point of contention in the District but rarely featured in the national conversation. Robles-Gordon seeks to use her backyard as a metaphor that would expand our understanding of notions of freedom, liberty, and justice.
Gallery Talk: "Successions: Traversing US Colonialism"
DC Artist Amber Robles-Gordon talks Successions: Traversing US Colonialism with curator Larry Ossei-Mensah.
Northern Mariana Islands, Political (Front), 2021. Mixed media on quilt, 104 x 90 in. Courtesy of the artist.
Northern Mariana Islands, Spiritual (Back), 2021. Mixed media on quilt, 104 x 90 in. Courtesy of the artist.
y mi bandera vuela mas alto que la tuya, and my flag flies higher than yours, 2020. Mixed media collage on canvas, 18 x 24 in. Courtesy of the artist.
Reflexiones sobre el yo, la virgen mar穩a y el colonialismo, Reflections of self, the Virgin Mary and colonialism, 2020. Mixed media, collage on canvas, 18 x 24 in. Courtesy of the artist.
A "Successions" conversation
This candid conversation featured Daniel Immerwahr, author of "How to Hide an Empire: A History of the Greater United States" and visual artist Amber Robles-Gordon. They spoke regarding the threads of intersection between his book and her current solo exhibition.
USVI Political, 2021. Front. Mixed media on quilt, 90 x 86 in. Courtesy of the artist.
DC Political, Welcome to the District of Colonialism, 2021. Front. Mixed media on quilt, 86 x 90 in. Courtesy of the artist.
USVI Spiritual, Moko Jumbie: Walk Tall and Heal Forward (Back), 2021. Mixed media on quilt, 90 x 86 in. Courtesy of the artist.
Sketches done throughout residency in Puerto Rico, 2019-20.
Works in Robles-Gordon's studio.
Gallery Talk: "Successions: Traversing US Colonialism"
Artist Amber Robles-Gordon and curator Larry Ossei-Mensah chat about Robles-Gordon's solo exhibition from the gallery ahead of the exhibition's opening.
Bridging Ties: Like Lavender is to Purple - December 9, 2021
51勛圖 Professorial Lecturer Andrew Wasserman, PhD and Amber-Robles-Gordon discuss her exhibition.
Millenium Arts Salon & 51勛圖 Museum
On November 13, 2021 the Millennium Arts Salon provided a salon talk featuring Artist Amber Robles-Gordon in an interview with Interim Chief Curator of the National Museum of African American History and Culture, Dr. Tuliza Fleming, at the 51勛圖 Museum.
A Conversation witth Amber Robles-Gordon & Dr. Tuliza Flemin
On November 13, 2021 the Millennium Arts Salon provided a salon talk featuring Artist Amber Robles-Gordon in an interview with Interim Chief Curator of the National Museum of African American History and Culture, Dr. Tuliza Fleming, at the 51勛圖 Museum. Ms. Robles-Gordon, who was born in Puerto Rico, and raised in the DC area, examines the role of the United States as a colonial power with both Puerto Rico and the District of Columbia as two such colonies, with intimations of paternalism, tyranny, and containment of citizen aspiration attendant thereto. Dr. Fleming as scholar, will guide our better understanding of Amber's magnum opus, as she explores the underpinnings of the artwork from conceptualization to execution. Millennium Arts Salon honors our relationship with the Katzen Arts Center in bringing programs of importance to our joint and several audiences in their beautiful and monumental space.
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About the artist
Amber Robles-Gordon is a mixed media visual artist of Puerto Rican and West Indian heritage. She is known for her commissioned temporary and permanent public art installations for numerous government agencies, institutions, universities, and art fairs.
Robles-Gordon has over twenty years of experience exhibiting and in art education, commissioned critiques, lectures, teaching, and exhibition coordination. She received a BS in business administration from Trinity University and an MFA in painting from Howard University, Washington, DC. She has exhibited nationally and internationally, including Germany, Italy, Malaysia, England, and Spain. Robles-Gordon has participated in residencies in Costa Rica, Washington, DC, and at the American Academy in Rome, Italy. Her artwork has been reviewed and featured in numerous magazines, journals, newspapers, and online publications.
Most recently, she held an online solo exhibition at Galeria de Arte, Universidad del Sagrado Coraz籀n, San Juan, Puerto Rico, and was featured by Tafeta Gallery in the 1-54 Contemporary African Art Fair in London, England, and during London Art Week. In 2022, she will create a traveling exhibition in collaboration with Cultural DC and El Cuadrado Gris Galeria in Puerto Rico. 泭泭
About the curator
Larry Ossei-Mensah uses contemporary art as a vehicle to redefine how we see ourselves and the world around us. A Ghanaian-American curator and cultural critic, Ossei-Mensah has organized exhibitions and programs at commercial and nonprofit spaces around the globe from New York City to Rome, featuring artists including Firelei Baez, Allison Janae Hamilton, Brendan Fernades, Ebony G. Patterson, Modou Dieng, Glenn Kaino, Joiri Minaya and Stanley Whitney. Moreover, Ossei-Mensah has actively documented cultural happenings featuring the most dynamic visual artists working today, including Derrick Adams, Mickalene Thomas, Njideka Akunyili Crosby, Federico Solmi, and Kehinde Wiley.
A native of The Bronx, Ossei-Mensah is also the co-founder of , a 501(c)(3) and global collective of culturalists who design multimodal experiences aimed to engage this generations dynamic and diverse creative class. ARTNOIR endeavors to celebrate the artistry and creativity of Black and Brown artists around the world via virtual and in-person experiences. Ossei-Mensah was a contributor to the first-ever Ghanaian Pavilion for the 2019 Venice Biennial with an essay on the work of visual artist Lynette Yiadom-Boakye.
Ossei-Mensah is the former Susanne Feld Hilberry Senior Curator at MOCAD in Detroit and currently serves as Curator-at-Large at Brooklyn Academy of Music (BAM), where he curated the New York Times heralded exhibition Let Free Ring and A Return: Liberation as Power respectively. 泭泭泭泭泭泭
Ossei-Mensah has been profiled in publications including the New York Times, Artsy, and Cultured Magazine, and was recently named to Artnets 2020 Innovator List. Follow him on Instagram at and Twitter at .